Went to two shows this weekend - one was the PSL closing party, then an impromtu hike to the Grand Theatre to see the last day of "Chorus".
PSL was really exciting, I think the idea of a closing show was particularly fitting when the artists are using the gallery itself to progress the work, and continue throughout the time the gallery is open, so in a way the closing show was probably more successful in showing the artists and their work than an opening (although it was a shame not to see the horse!). Thinking about Garry's point about how the space itself impacted on the work made, I have to say I thought the space was a really good one, it never felt too elitest, and I think this definitely came through in the work. It seemed a really relaxed exhibition, nothing seemed too precious, I don't know if this came about because of the collaborations, the artists themselves (a lot of ordinary objects used to different purpose) or the space, but it definitely felt like a London exhibition. Also very nice wine!
I really liked the fact no work had names to it but a map to guide you around, I think this helped the relaxed feel of the whole thing, and would be a really good idea for the "showing up" exhibition - names and titles next to work is a bit museum-y, the idea of a map made you find the work first then see who it was by (if of course you wanted to know). Also liked the temporary film room, made from straw, I think it became much more interesting to look inside.
After this was the much hyped about "Chorus" show at the Grand Theatre. I'd heard so many people saying it was amazing, I was a bit doubtful about whether it would be that good, but if you missed it, you really did miss out. It was the kind of artwork that made you sit and stare and listen; we stayed for at least 20 minutes. It was beautiful, almost religious in a way, I think aided by the space and the echoes it created, and everyone that was there seemed to be stunned in the same way. Really good, if a little hidden.